‘Cop Dramas’ are a popular genre in cinema, and have steadily been released over the years. Just like anything, some are better than others. When I think of a good movie about police and criminals, I think of American Gangster, The Departed, Heat – and plenty of other well made films. One that especially comes to mind in this case is Training Day, starring Denzel Washington and Ethan Hawke. That film was directed by Antoine Fuqua, just like Brooklyn’s Finest, and was a great film. But I am disappointed to say that I did not find the same love for this movie as I did for Fuqua’s last film.
Brooklyn’s Finest tells many different stories during the film. In it we have the cop that is retiring (Richard Gere), the undercover police officer (Don Cheadle), the dirty cop (Ethan Hawke) and the gang leader (Wesley Snipes). Throwing all of these characters together into a movie and trying to connect them together isn’t a failing formula. It’s called The Departed. But in this case, the way the story was told was just downright boring. It starts from the moment the opening credits role. After a completely uncreative text-only title, we open the film with a camera panning to a car in the distance for what feels like an eternity. My first impression was that it was a neat shot to lead up to the characters who you hear having a conversation. And it was intriguing for the first minute. But it really got old once I realized that the camera wasn’t going to change angles any time soon. This is the first of many problems in the film with the pacing. There will be long, drawn out shots of everything from New York City, right down to even characters themselves. In one scene we watch Richard Gere’s car pull up to a house – only to pan closer and closer to the actor’s face for about 30 seconds before he does anything. Before that scene, we watch Gere and a fellow police officer walk to their squad car, walk to opposite car doors, get in the car, close the doors, and then finally change scenes. There is just so much unnecessary footage left in the final product, that it really makes you wonder how much editing they did.
In the end, Brooklyn’s Finest ends up feeling much too long and leaves you feeling empty. The plot of the film is interesting, but Fuqua tries too hard to tie all of the stories together. And with all of the unnecessary camera angles that just end of feeling pretentious, the movie is about a half-hour too long. The talent of the incredible cast was really underutilized, and more time should have been used to teach us about the characters. Instead we are left with too many questions, and a movie that has far less impact than it should have.
“Brooklyn’s Finest” is a D
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