The Spirit (Gabriel Macht) loves his city and he has sworn to protect it from the evil of the world. Along the way, running along rooftops, he makes women swoon when they see him, and he is always chatting them up when ever the opportunity presents itself. His arch-nemesis is The Octopus (Samuel L. Jackson) and when the film opens, The Spirit, is checking in on a hot tip about a deal going down with The Octopus involved. Mixed up with the deal is a beautiful thief, Sand Saref (Eva Mendes) who is attempting to steal what The Octopus is going after as well. By the time The Spirit shows up on the scene, Sand is gone but The Octopus is ready for a showdown. While the two brawl, we discover both of them can take incredible punishment and are able to recover almost any wound with ease; The Octopus even leads the Spirit on that they are two of a kind, and all the same. The film from here turns into a stylized and super clichéd film noir into the investigation of The Octopus and the mysterious Sand Saref who The Spirit has a history with.
Now, first things first, the insane over the top nature of the film will turn people off for sure, and some will even dismiss it as terrible acting, will I am pretty sure everyone is intentionally hamming it up for the picture. Sin City did the same thing, maybe not to this extreme, but people were going over the top left in right in that film as well and no one complained; though the acting was a better in that film. But some of the complaints and razzing of this film are unwarranted. If you sit back, have fun, and enjoy the ride it is a fun flick. It has plenty of laughs, it looks beautiful, has a great Burton’s Batman-esque score, and fun enough action to boot. The film has a couple of short comings, the Sand Saref flashback is a mis-handled, and the Octopus’s henchmen are a tad to absurd and a bit annoying, though it is a fun premise. The biggest mis-step the film takes is the awful character of Morgenstern, who is annoying and unneeded, and while I get what they were going for with the 40’s wise talking sidekick thing, it doesn’t work. Another thing to keep in mind is when this comic by Will Eisner’s was made, in the 40’s, it is from a different era and a turbulent time and I think Miller did a good job of making it modern and fun. Also, for those interested in feminine eye candy, it is a plenty in the film with a line up of gorgeous actresses.
8/10
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